Mere Baap Pehele Aap

Starring: Akshaye Khanna, Paresh Rawal, Om Puri, Shobhna, Genelia D’ Souza, Rajpal Yadav, Archana Puran Singh, Manoj Joshi, Naseeruddin Shah.
Director: Priyadarshan
Producer: Mansi Maroo, Ketan Maroo
What To Watch For: Hilarious Comedy by Om Puri, Paresh Rawal, Akshaye Khanna……..etc
What Will Bore You Away: At times a little over acting by Archana Puran Singh and Rajpal Yadav
My Analysis:

After a week of serious releases, here is a movie which is to make you laugh your way along the movie. Mere Baap Pehele Aap has proven itself to be a complete entertainer. The movie as the typical Priyadarshan movies has made people laugh n laugh n laugh. It’s a story about Janaradhan (Paresh Rawal) and his younger son Gaurav (Akshaye Khanna). Janardhan is a single parent who has brought up his two kids Chirag (Manoj Joshi) and Gaurav and now that the kids are old enough, Gaurav has started helping and managing the business his father owns. Gaurav is keen on keeping his beloved and innocent dad away from his “Tharki” friend, Madhav (Om Puri) who is determined to get married at this age. Janardhan and his Tharki friend Madhav always land up in troubles and are rescued at the right time by Gaurav; whenever Madhav tries hitting on babes who would’ve probably been Madhav’s daughter’s friend had he had a daughter (and the troubles also include their encounters with the cop played by Archana Puran Singh.). Amidst of this, one day, janardhan happens to meet Anuradha (Shobhana), who is gaurav’s college friend, Shikha’s (Genelia D’ Souza’s) guardian. And with that starts the story of our older hero, Paresh Rawal. Anuradha is supposedly Janrdhan’s long lost first love. Gaurav and Shikha notice the shyness and change in behavior of both Janardhan and Anuradha when they meet or talk to each other and decide to get the duo married. The way though is not easy.
The movie comes with a package of comedy, with Paresh Rawal and Om Puri giving their best at comedy. Om Puri is marvelous with Rajpal Yadav and Archana Puransingh being a little louder. Naseer Uddin Shah’s guest appearance is also a good one. All in all, the movie is a pleasure to watch.
My rating: 3.5/5

Bhootnath

Casts: Amitabh Bachchan, Juhi Chawla, Aman Siddiqui, Priyanshu Chatterjee, Satish Shah, Rajpal Yadav
Guest appearance: Shahrukh Khan, Nouhid Sairesi, Ashish Chowdhury, Neena Kulkarni
Music: Vishal Shekhar, Salim Sulaiman
Lyrics: Javed Akhtar
Producer: Ravi Chopra
Director-Writer: Vivek Sharma
Ratings: **1/2

Nath Villa. Night. A couple enters the villa with an intention of spending the night. But unfortunate for them, it’s the house where Kailash Nath (Amitabh Bachchan), oops, the spirit of Kailash Nath enjoys his days and nights in his airy appearance. Predictably enough, the couple, intimidated with Kailash, zooms away from the house.

Next incident. Mr. Sharma (Shah Rukh Khan), a marine driver by profession, comes to Kailash’s den, with his family. He leaves his family behind at the Nath Villa and plods back to join his job.

While residing in the Nath Villa, Mr. Sharma’s wife Anjali (Juhi Chawla) and son Banku (Aman Siddiqui) experiences strange incidents. In the mean time Banku befriends the spirit of Kailash Nath and names him as “Bhootnath”.

Banku’s presence eliminates all the hazardous factors that polluted Bhootnath’s mind against human beings. One day, Anjali comes to know about Bhootnath being the angel in Banku’s life.

At the same time Anjali comes to know from Bhootnath about the painful incident that made him a spirit. So, to let Bhootnath’s spirit free from the bondage with the earth, Sharma family arranges for a shradh, a Hindu tradition that Bhootnath’s son, Priyanshu Chatterjee, avoided in past.

Ultimately, it’s through Banku that Bhootnath gets his desired freedom from the earthly bondage.

But it’s because of Banku’s love for Bhootnath that the amicable ghost leaves Banku with an option of appearing in front of Banku whenever he wishes from the core of his heart.

Even god changes his mind for the sake of true and honest love. This film is not about the triumph of a child but the success of true love and faith.

It’s the second time where Amitabh is posing as a ghost and his look in “Bhootnath”, though unintentionally, reminds of his look of Gabbar Singh in “Ram Gopal Verma Ki Aag”. If that is some bad news, the good part is that his acting always sweeps away the feeling of looking alike.

At the same time his intimidated being with the presence of his son lets audience recap his character in “Baghban”.

Aman Siddiqui has depicted Banku’s character very well. Juhi Chawla and Shah Rukh’s couple still reminds the same freshness that they show in their very first film.

Writer-director Vivek Sharma has proved his prowess in his

job. His beautifully mingled presentation of entertainment and spirit has started a new vogue in Bollywood. If “Bhootnath” is not so well a children film as “Taare Zamin Par” was, it definitely helps spending few hours in the air conditioned theaters while summer is blazing outside.

At last, if not the least, children may well accept the line of Amitabh saying, “Zindegi me jadoo nehi, mehnat se safalta pai jaati hai” (success is all about hard work, not magic). Bingo Bhootnath! – Rajnee Gupta

Krazzy 4

Starring Irrfan Khan, Arshad Warsi, Rajpal Yadav, Juhi Chawla, Suresh Menon, Rajat Kapoor
Written and Directed by Jaideep Sen
Rating: **

Stand-up comedian Suresh Menon playing one of four psychologically –disturbed protagonists utters barely one word in the film.

“Kidnap!” he stammers to tell his associates that the sweet doctor Juhi Chawla has been whisked away by an assortment of baddies who look like they could do with a spot of training in crime management.

Krazzy 4 is a refreshing if not riveting change from the risqué-driven innuendo-laden ha-ha-thons that have recently infested our theatres with parasitical passion.

This one has a point to make under the barrage of burlesque. And it’s all done in the spirit of give and tickle. Cinematographer Ajit Bhat shoots the streets and crowded places of Mumbai to signify the sense of freedom that the four institutionalized heroes feel even in the claustrophobic atmosphere outside the confines of their world within the stone walls.

So who’s the crazy one? The guy who thinks we’re still living in the era of Gandhian freedom fighters? Or the guy (Rajat Kapoor exuding suave viallainy with a slurpy stealth) who gets his sweet wife kidnapped for political gains?

Good question. And adeptly handled by debutant director Jaideep Sen as long as the audience doesn’t ask too many questions about the logistics of four men and a jalopy joyride one not-so-fine-day into intrigue, adventure and crime.

Sen with ample help from writer Ashwani Dheer knows precisely which frontiers to open to ensure the comedy doesn’t slip into farce. The initial scenes introducing the characters are well executed. And if the pace doesn’t slacken it’s because the actors wouldn’t let it.

Each of the four main actors invest a certain something beyond the precincts of parody to their characters.

Irrfan Khan as the literate cleanliness freak, Arshad Warsi as the inmate with an anger-management problem, Rajpal Yadav caught in Gandhian time warp and Suresh Menon as the tongue-tied repressed vagrant invest a definite direction to the wacked-out goings-on.

If you persuade a cine buff to choose one from the foursome it would have to be Rajpal who’s by now the maestro of mirthful manoeuverings. Watch him give his patriotic mouthfuls to several scumbags in the plot. Rajpal brings the house down.

Agreed some of the plotting and narrative transitions lack finesse. But when have mainstream Hindi films been known for extravagant bouts of finesse?

Amidst the rites of the road movie, the narrative packs in some seriously satirical and sensitive moments. Check out Arshad’s scene with his prospective father-in-law. It’s a superbly scripted encounter worthy of far more recognition than evident on ‘farce’-value.

Or that isolated incident of pathos when the hygiene maniac Irrfan repositions the bindi on his wife’s head.

Such moments, delicately drawn and deftly defined get drown in the din of devilish merrymakers on a rampage.

Krazzy 4 moves from one wacked-out adventure to another without sacrificing the sublinear message on the definition of normal behaviour in a social structure that has lost all its sense of proportion and is hurling into mayhem and anarchy.

Laughter, you might want to know, is the only medicine.

Krazzy 4 isn’t quite the tonic for our wounded souls. But you can’t help giggle at the goings-on specially when the cast is so finely clued into the cult of comicality.

A word on the two controversial item songs. Shah Rukh moves. Hrithik glides. And yes, Irrfan Khan tries to wipe Rakhi Sawant’s tattoo clean in her item song.

That’s where the laughter of the lewd is dispersed in the innocence of the ‘mad’. Krazzy 4 isn’t Milos Forman’s One Flew Over The Cuckoo’s Nest.

Priyadarshan did that in Kyun Ki.

Krazzy 4 goes cuckoo in different sometimes endearing strokes.